Aug 18
Sydney Yeager : Persistent Memory
18 Aug, 2014. 0 Comments. past exhibition. Posted By: Gilon Gutkin
August 29 – October 26 “This exhibition spans the years 2009 to the present, and represents my evolving  interest in  fragmentation and the dissolution of the whole into singular, independent parts.   The idea arose as I visited ancient ruins in Italy,Turkey, Mexico and the Southwestern U.S.  As well as these ancient sites, I find the demolition sites that I pass en route to my studio to be fascinating. Some of the paintings are loosely based on photographs of these sites.  In my mind, there is a connection between these construction sites and the ancient ruins I love to visit.  Both…
Jul 17
Cross Currents : Curated by Charon Kransen
17 Jul, 2014. 0 Comments. past exhibition. Posted By: Gilon Gutkin
July 30th – August 31st Innovative International Jewelry It is surprising to realize the incredible variety of objects that can fit under the term “contemporary jewelry”. This movement has developed in different countries around the world manifesting itself in diverse practices. The word jewelry itself is derived from the word jewel, which was anglicized from the old french “jouel”, and beyond that the Latin word “jocale”, meaning “plaything”. For many centuries, metal combined with gemstones has been the norm for jewelry. Today there are an incredible variety of objects that suit the term “contemporary jewelry”. We use the word contemporary…
May 7
Annette Lawrence: Midway and Counting
7 May, 2014. 0 Comments. past exhibition. Posted By: Gilon Gutkin
Jun 6 – Jul 25, 2014 Artist Statement Midway and Counting is an exhibit of a new body of work that engages time and accumulation through twenty-five years of Lawrence’s journals. The graphite drawings included in the exhibition are circular grids based on charts made while digitizing hand written journals. There is a clear sense of the amount of writing over the years, not so much of what is written. Fueled by personal ambivalence about how much to reveal, and how much to withhold, the drawings give a dynamic macro view of the activity of journaling over time while…
Mar 25
Margo Sawyer: Synchronicity of Color
25 Mar, 2014. 0 Comments. past exhibition. Posted By: Gilon Gutkin
Artist Statement Throughout my career, I have devoted much time to the observations of the major historic and contemporary sites of sacred architecture. I am particularly interested in how the relationship between space and transcendence functions, where architecture and ritual converge in creating unique spaces for contemplation.  It is this form of artistic inquiry that has led me to continue a twenty year quest to discover and experience architecture and ritual in all parts of the world, in an effort to come closer to an understanding of the inter-relationship of the metaphysical sensibilities of space, material, and time. I am investigating the equivocal nature…
Feb 20
Reginald Rowe: Selected Works from the 1960′s and 1980′s
20 Feb, 2014. 0 Comments. past exhibition. Posted By: Gilon Gutkin
Feb 7 – Mar 26, 2014 The Gallery at Vaudeville is excited and honored to celebrate the work of Reginald Rowe (1920-2007), one of San Antonio’s leading artists for more than four decades. Born in Brooklyn, Rowe was an artist with a remarkable drive to create. His early work was informed and developed by his experience of living in such diverse places as the Hudson Valley, Cuba, and Mexico. Throughout his career Rowe was a prolific painter who created a body of work that described a creative journey of depth and continuity. In 1964 he moved to San Antonio and…
Oct 15
McKay Otto : Never Past Now Ever
15 Oct, 2013. 0 Comments. past exhibition. Posted By: Gilon Gutkin
Nov 7 – Dec 20, 2013 In consideration of the dimensional relationships that exist between drawing, painting, and sculpture, this work is concerned with freeing two-dimensionality in painting. The specially formulated transparent nylon “canvas” provides the opportunity to work within and transform the traditional support of painting. As the rigidity of the planar support becomes dissolved, the circumstance arises to create works that are inwardly divisible and outwardly expanding. The implementation of the grid serves as a drawn formal structure that both stabilizes the surface of the art object while simultaneously creating passages for the viewer to literally see beyond.…